User Score
Universal acclaim- based on 60 Ratings
User score distribution:
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Positive: 49 out of 60
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Mixed: 9 out of 60
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Negative: 2 out of 60
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Jun 8, 2016Delivers more truth and meaning than most current pop hits combined. Being a twin, it's nice to see twin sisters collaborate and make such an impact. Beautiful minds, beautiful songs. Also, as good as their old records in its own way.
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Jun 12, 2016i love seeing all these bad reviews from diehard disappointed fans or indie rock beer cans who despises anything that has the word pop in it. this album is awesome.
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Jun 6, 20163 years since T&S's Heartthrob album and in all that time we get a new album that makes it barely over 31 minutes in length. And it's 31 minutes of horrid bubble-gum pop. We're still trying to figure out what the lyrics to "Boyfriend" actually imply. It's a confusing album for their equally confused fans. Popsters need only apply.
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Jun 4, 2016its fckg perfect i don't even care your opinion bye but i just found out i gotta reach 150 characters so i just gotta say something more omg tegan and sara are life bye
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Jun 5, 2016
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Sep 21, 2016
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Jun 25, 2016The neat songwriting style of the Canadian sisters is what mainstream pop music needs to be challenging and smart again.
Best Tracks: Boyfriend; Stop Desire -
Jun 14, 2016
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Jun 12, 2016this album is really beautiful, way better than heartthrob. i was actually scared it was some kind of Heatthrob part two but honestly it's way way better
Awards & Rankings
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Aug 19, 2016Love You to Death IS solid. In a way, it’s sort of like those now-cherished, then forgotten, 80s downtempo pop albums ala the first Human League and Modern English LPs.
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MagnetAug 2, 2016The Quins bring pathos and depth to sleek Katy Perry/Lady Gaga-esque electropop, true, but reaching for the golden ring too often dilutes the inventiveness and creative abandon that once made a new T&S record such an exhilarating proposition. [No. 132, p.59]
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Jun 29, 2016Despite these obligatory comparisons to their 2013 effort, though, Love You to Death is ultimately its own beast, one that finds Tegan and Sara working effectively with confessional songwriting and further developing their enthusiasm for synthpop’s visceral pleasures.