DJ Booth's Scores
- Music
For 155 reviews, this publication has graded:
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74% higher than the average critic
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2% same as the average critic
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24% lower than the average critic
On average, this publication grades 2.3 points higher than other critics.
(0-100 point scale)
Average Music review score: 75
Highest review score: | Good Kid, M.A.A.D City | |
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Lowest review score: | Paula |
Score distribution:
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Positive: 132 out of 155
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Mixed: 23 out of 155
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Negative: 0 out of 155
155
music
reviews
- By Date
- By Critic Score
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- Critic Score
Nothing on par with the classics but he has plenty of moments where his strengths are showcased.- DJ Booth
- Posted Jul 8, 2015
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- Critic Score
The rapping isn’t the problem, it’s his singing and eccentric sounds that leaves me with Van Gogh thoughts.- DJ Booth
- Posted Jun 24, 2015
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- Critic Score
There is very little to write home about here, and for the most part it feels very hastily made.- DJ Booth
- Posted Nov 24, 2014
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- Critic Score
Absolutely none of the album is bad, but it's enough like Drake to make me feel like I might as well be listening to Drake, enough like The Weeknd to make me feel like I might as well be listening to Weeknd, etc. etc. etc.- DJ Booth
- Posted Sep 24, 2014
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- Critic Score
It's an odd, disjointed album that, despite scattered high points, leaves one wondering what Thicke was thinking when he put it together. Paula Patton deserves better, and so do listeners.- DJ Booth
- Posted Jul 3, 2014
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- Critic Score
Influenced by what The Pharcyde did two decades ago, what Drake perfected a few years ago, and what many others have attempted since, Ink’s melodic tastes and rhyming style draws from all of these influencers. The problem is, he can’t quite charm like Wiz Khalifa, rhyme like Big Sean, or create art like Drake. Yet.- DJ Booth
- Posted Jan 14, 2014
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- Critic Score
At its best, the California singer offers sweet but forgettable elevator music.- DJ Booth
- Posted Nov 27, 2013
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- Critic Score
Lacking the dynamic between repulsive brutality and oddball humor that made Earl so uncomfortably riveting, Doris is both tonally fragmented and occasionally monotonous: an ocean of griminess broken up by earnest confessional rhymes.- DJ Booth
- Posted Aug 21, 2013
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- Critic Score
At 12 tracks long, Evolution may lack any real oomph or spectacle, but it also contains little filler, which is an achievement in today’s singles dominated, bloated albums.- DJ Booth
- Posted Jul 18, 2013
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- Critic Score
He’s obviously still capable of moments of greatness, but right now those moments are so dulled by surrounding mediocrity they’re becoming lost.- DJ Booth
- Posted Mar 27, 2013
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- Critic Score
Unapologetic is by no means a bad album, it'd be nearly impossible to combine the music industry's best songwriters, producers and Rihanna's charismatic delivery and not create quality music, but as an album Unapologetic has no real core, no real theme; unless you count "making hits" as a theme.- DJ Booth
- Posted Nov 21, 2012
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- Critic Score
Based on a T.R.U. Story isn't a great album, but was anyone expecting a great album from 2 Chainz?- DJ Booth
- Posted Aug 29, 2012
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- Critic Score
These are good songs, but we don't come to Waka for good.- DJ Booth
- Posted Jun 13, 2012
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- Critic Score
The tracks do not really flow into each other or sound good in sequence, but individually some records do shine.- DJ Booth
- Posted Apr 5, 2012
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- Critic Score
Here both the production and Nicki's delivery border on absurdist theater, at one point devolving into Nicki literally making noises.- DJ Booth
- Posted Apr 3, 2012
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- Critic Score
It has to be said though that the places where WZRD struggles most are the places where Dot and Cudi leave their hybrid sweet spot and try to go straight rock.- DJ Booth
- Posted Mar 8, 2012
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- Critic Score
The young Somalian is far from the first artist to have to figure out "their" sound while sweating under the spotlight, and by the sound of Silence he's still figuring things out.- DJ Booth
- Posted Feb 9, 2012
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- Critic Score
The simple truth is this is the kind of music you're best off not thinking too much about.- DJ Booth
- Posted Dec 16, 2011
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- Critic Score
Her talent and voice makes up for the fact that Lioness isn't really an album, but more like a collection of unfinished business.- DJ Booth
- Posted Dec 13, 2011
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- Critic Score
Most of Fear of God feels like detached, competent, common-denominator, major-label hip-hop, which would be fine if we weren't already aware what he's capable of.- DJ Booth
- Posted Nov 10, 2011
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- Critic Score
Maybe he's burnt out, maybe he just doesn't care as much anymore, but whatever the reason, Tha Carter IV just doesn't feel like one of the biggest albums of the year – at all.- DJ Booth
- Posted Aug 30, 2011
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- Critic Score
We'll simply have to look at I'm Gay as a sign that B might not prove to be the flash in the pan that so many haters hope he is.- DJ Booth
- Posted Aug 4, 2011
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- Critic Score
This album is about keeping Brown relevant and making the musical man child marketable again, and on that level it's a moderate success. He's still got a long way to go before he regains his previous stature.- DJ Booth
- Posted Aug 4, 2011
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