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Oct 22, 2021It's a startling performance. The package design is simply stellar and the liner essays by critic/historian Ashley Kahn and Coltrane biographer Lewis Porter are educational, authoritative, and indispensable.
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Oct 20, 2021For its imperfections, less than optimal sound quality (although particularly good considering the 56-year age of the tapes), a less than engaged at times McCoy Tyner and Elvin Jones, and what comes across as a feverish blowing session more so than a spiritual reckoning, it’s a jaw-dropping performance. ... Purists may still adhere to the studio version and deservedly so but nonetheless, that cannot diminish the importance of this recording in Coltrane’s legacy. It’s a revelation and it now invites a comparison of the two that none of us ever expected.
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MojoOct 20, 2021The music's suboptimal sound quality is only a minor drawback to a sonic experience whose raw intensity is both disquieting and uplifting. [Nov 2021, p.102]
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Oct 27, 2021The Antibes version is excellent but this set is more compelling, both because of the personnel and how Coltrane extends the composition.
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Oct 20, 2021This latest one, which lasts more than double the length of the studio Love Supreme, shows additionally how for Coltrane, his weightiest statement to date wasn’t a fixed masterpiece but a perpetual work in progress, a launchpad to the next phase of his quest.
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Oct 20, 2021Elvin Jones’s elemental muscularity is thunderously upfront in the mix, and Tyner often sounds like the man heading for the exit that he soon turned out to be – but this is a unique document of a landmark 20th-century band at a pivotal moment.
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Oct 20, 2021The movement back and forth between the chiselled simplicity of the core Suite itself and the freedom of the improvisations that spin out from them creates a sense of epic scale. It’s a more than worthy addition to the Coltrane recorded legacy.
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Oct 21, 2021This is still music with a lot of virtuosity, and a great many notes, but it and its players are living its adaptability, as the evidence reveals all we have previously believed this composition to be, a confluence of free improvisation and what later became “spiritual jazz”. [Dec 2021, p.43]
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Nov 16, 2021The burning energy of A Love Supreme: Live in Seattle is refreshing, its release a major moment in jazz music. ... Jazz fans may rejoice, as this much-needed revelation is everything we’d hoped it would be.