- Critic score
- Publication
- By date
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Paste Magazine23's mannered downtown aura and etched elegance are sustained for its duration, marking it as one of the prolific band's finest to date. [Apr 2007, p.55]
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SpinAmedeo Pace's wailing, overemotive tenor invites the mess of Blonde Radiohead jokes the band will inevitably receive. [Apr 2007, p.86]
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UrbIt's a beautiful collection of songs, cinematic and powerful, never pushy. [Apr 2007, p.100]
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So when the repetitive rhythms of 23 don’t bowl you over like the first synth lines of Melody, allow yourself the opportunity to sit through its entirety. What you’ll find is an album that reveals its true personality slowly, surely, and yes, lovingly.
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23 is one of the more enjoyable musical experiences I have encountered this year.
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A delirious fever-dream of an album that continues to impress with each consecutive listen.
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Somewhere underneath all the high-gloss, ornamental swirlies and lacquered doilies are haphazardly camouflaged well-written songs.
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23 is mysterious and modern, with an artfully strange beauty that is more memorable than perfection.
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The squeaky-clean production of Misery Is a Butterfly has been smudged, sanded, and weathered.
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It's an enthralling listen, proving once and for all that they deserve the wide success of fellow travelers like Radiohead and Sonic Youth.
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This is the next record you have to buy. Absolutely. Unequivocally.
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The muddy, unfocused production adds to a sense of missed opportunity. However, 23 has more than most seventh albums' share of otherworldly pop delights.
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23 has a lack of contrast, and that is really its only flaw.
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It's a testament to their talent that by their seventh album they're still continuing to develop and reinvent themselves.
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As with all Blonde Redhead albums, there is no real standout track to pinpoint. Instead, they've made a terrific progression from, and succeeded in the daunting task of following, 'Misery Is A Butterfly'.
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Under The RadarFor those who found Misery to be an unfortunate turn towards the melodramatic, 23 will probably further disappoint in that it has all the indulgence of that record but few of its emotional peaks and valleys. [#17, p.82]
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When the energy is present, 23 is a strong, pleasant album that connects a number of dots in a way that belongs almost exclusively to Blonde Redhead.
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23 is exactly what we've come to expect from this trio: a tension-filled exploration of the human psyche, blistering but still atmospheric.
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UncutThings grow richer and stranger as the album develops. [May 2007, p.87]
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"23" furthers the group's recent fascination with a sleeker presentation that favors sheen over squall.
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It’s mostly a collection of decent tunes, polished to a blinding sheen.
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The softer focus fits them exceptionally well.
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MojoThe sound might be spacier and more panoramic, but there's still some grit in the mix. [May 2007, p.110]
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It’s still style over substance in a lot of cases, but it manages to be so exciting while being so listenable that I think it demands repeated listens -- even if those are at cocktail parties.
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Q MagazineAn impressive set. [May 2007, p.123]
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23 is one of Blonde Redhead’s strongest efforts to date, containing far more in the way of memorable melodies and songwriting subtleties than the band has previously exhibited.
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A weirdly entrancing collection of polished electronics and acoustic-guitar riffs layered like fruit in a parfait glass.
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23 is fundamentally a more interesting album than 04's Misery Is A Butterfly, neither as cartoonishly bleak nor as sonically pristine.
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MagnetA sinister, slinky catwalk with sharper melodic angles and a propulsive, post-punk groove. [#75, p.99]
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The end result is a kind of low-flying elation that only these experienced noirists could deliver.
Awards & Rankings
User score distribution:
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Positive: 65 out of 69
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Mixed: 1 out of 69
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Negative: 3 out of 69
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Jun 9, 2015
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Jul 10, 2013
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RicardoC.Aug 29, 2009Beautiful, such a soft melody. And her voice fits perfectly.