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Hellboy II: The Golden Army
Universal Pictures

Hellboy II: The Golden Army reviews
Critic Score
Metascore: 78 Metascore out of 100
User Score  
7.4 out of 10
based on 36 reviews
Read critic reviews
How did we calculate this?
based on 123 votes
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MPAA RATING: PG-13 for sequences of sci-fi action and violence, and some language

Starring Ron Perlman, Selma Blair, Doug Jones, Luke Goss, Seth MacFarlane, Anna Walton, Brian Steele, and John Hurt

After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it’s up to the planets toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it’s time to call in Hellboy. (Universal Pictures)


GENRE(S): Action  |  Adventure  |  Comedy  |  Drama  |  Fantasy  |  Sci-fi  
WRITTEN BY: Mike Mignola (comic book& story)
Guillermo del Toro (& story)
 
DIRECTED BY: Guillermo del Toro  
RELEASE DATE: Theatrical: July 11, 2008 
RUNNING TIME: 110 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
The Hollywood Reporter Michael Rechtshaffen
With writer-director del Toro given free license to go where his singular vision takes him, Hellboy II plays like Guillermo's Greatest Hits with even hotter visual effects.
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100
Salon.com Stephanie Zacharek
Poetic, funny, darkly romantic and beautifully structured -- is a very different picture from "Pan's Labyrinth." But there's no doubt that it springs from the same cathedral.
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100
Los Angeles Times Kenneth Turan
Del Toro is almost alone in his ability to re-create on screen the wide-eyed exhilaration and disturbing grotesqueness that is the legacy of reading comics on the page.
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90
Slate Dana Stevens
Perlman's Red is hilarious, combining the gritty delivery of a film noir cop with the physiognomy of a horned behemoth. And the script, by del Toro and Mignola, alternates action smackdowns with sweet, goofy moments, like a scene in which Red and the lovelorn Abe drink beer and croon along with a Barry Manilow record.
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90
Time Richard Corliss
If the film is just as strange and endearing as its glowing protagonist -- and it is -- that's because the director and co-writer (with Mignola) is Guillermo del Toro, 43, who has the wildest imagination and grandest ambitions of anybody in modern movies.
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90
Variety John Anderson
Not to disparage the f/x guys, but what's onscreen in Hellboy II is all about the seismic eruptions in del Toro's head. Comparing his work to most fantasy cinema is like comparing cave drawings to the Cathedral of Cologne.
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90
Washington Post Ann Hornaday
As he has done in all his movies, from creature features such as "Mimic" to serious dramas such as "Pan's Labyrinth," del Toro creates unforgettable images, filled with color, texture, lyricism and horror.
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90
Wall Street Journal Joe Morgenstern
Hugely inventive -- and smashingly beautiful.
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88
Chicago Sun-Times Roger Ebert
Imagine the forges of hell crossed with the extraterrestrial saloon on Tatooine, and you have a notion of Guillermo del Toro's Hellboy II: The Golden Army.
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88
Miami Herald Rene Rodriguez
It's a dry, mundane title. It's also the only thing about the film that doesn't blow your mind right out of its comfortable, I've-seen-all-this-before rut.
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83
The Onion (A.V. Club) Nathan Rabin
Ron Perlman returns as the film's loveable title character, a demon gone good who's tough on the outside but tender underneath, with a soft spot for kittens, candy, and babies.
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83
Entertainment Weekly Owen Gleiberman
The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.
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80
Village Voice Chuck Wilson
Despite the rosary beads Red wraps around his wrist, Hellboy II doesn't have much on its mind, but few will care since del Toro and his stellar "Pan's Labyrinth" team, including Oscar-winning cinematographer Guillermo Navarro, stage one virtuoso set-piece after another.
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80
New York Daily News Elizabeth Weitzman
The endlessly inventive del Toro creates visual fantasies unlike any other, and the creatures on display here are truly extraordinary. But amid all the costumes, all the action, and all the special effects, it's the humanity that makes his work so memorable. Yes, the monsters are amazing. But the moment when a heartsick Hellboy discovers Barry Manilow? Priceless.
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80
Film Threat Pete Vonder Haar
Better than the first in some ways: the superfluous Agent Meyers is gone, Doug Jones is great as Abe, and Strauss is an amusing addition (if almost structurally identical to Kroenen).
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80
Empire Helen O'Hara
As much Tolkien's baby as Mignola's, this has more heart and humour than most fantasy films can dream of. Hellaciously good.
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78
Austin Chronicle Marc Savlov
It's not perfect -- thank Satan! -- but Hellboy II: The Golden Army is by far the most splendidly imaginative and creatively uncorked piece of fantastic cinema since the director's "Pan's Labyrinth" netted an Oscar trifecta in 2007.
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75
Chicago Tribune Michael Phillips
The movie overall is engaging, though it's more cavalier regarding story and relentless in its action than its predecessor.
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75
ReelViews James Berardinelli
Hellboy II is solid entertainment, but it's a shame such blemishes prevent it from achieving a higher level.
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75
Seattle Post-Intelligencer William Arnold
It definitely gives us our money's worth in the sheer volume of its imaginative fantasy creatures and it's that rare superhero-movie sequel that's better than the original.
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75
USA Today Claudia Puig
Highly imaginative and consistently amusing without pretensions.
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75
San Francisco Chronicle Peter Hartlaub
The talented fantasy filmmaker and heir to the "Lord of the Rings" throne gets the tone right throughout Hellboy 2, and the hip retro charm alone is enough to merit recommendation.
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75
Rolling Stone Peter Travers
A surprise package of fun, fright and untamed imagination.
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75
Portland Oregonian Shawn Levy
The sheer volume of amazing things that del Toro is able to mine from his unconscious and render plausibly on the screen is remarkable. Hellboy II feels pretty sequel-y, as these things go, but there's a lot in it that has no precedent of any kind, anywhere, ever. That stuff makes it worthwhile.
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75
Christian Science Monitor Peter Rainer
Hellboy II comes across as an original. But being original is not always the same thing as being wonderful.
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75
Baltimore Sun Michael Sragow
Del Toro stuffs the film with wit and wonderments. Yet, coming out this superhero summer, it plays like a lovingly crafted synthesis of every fantasy saga we've seen in the past decade.
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75
Boston Globe Ty Burr
Of all the comic book movies that have spun out of theaters this long and pulpy summer, Guillermo del Toro's Hellboy II: The Golden Army is the most unapologetically comic book-y.
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75
TV Guide Maitland McDonagh
The same super-heated visual imagination that made Guillermo del Toro's "Pan's Labyrinth" such a darkly thrilling delight is very much in evidence in his sequel to "Hellboy." It's a shame that it's at the service of such a blandly conventional story.
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70
Chicago Reader Joshua Katzman
A funny, offbeat superhero flick.
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70
The New York Times A.O. Scott
The whole affair is pulpy, jokey, sometimes touching and frequently nonsensical: a big mess and, mostly, a lot of fun.
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63
Philadelphia Inquirer Steven Rea
Goes somewhere the first "Hellboy" never ventured: into the Realms of Tedium.
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63
Charlotte Observer Lawrence Toppman
Fanboys won't mind the absence of depth or emotion; they may even welcome it for making the film more representative of its comic-book origins. The rest of us, however, cannot rejoice at the overspending and overkill likely to come in Hellboy III.
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63
Premiere Stuart Levine
It's in the script, however, that del Toro the writer falls a wee bit short of del Toro the visionary.
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63
The Globe and Mail (Toronto) Liam Lacey
Like a lot of well-staged parties, though, the affair peaks shortly after the introductions, and then devolves into intrigues, fights and mayhem.
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63
New York Post Kyle Smith
Despite all of the hideous critters Hellboy encounters, there is a hint that things are considerably weirder elsewhere.
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60
New York Magazine David Edelstein
The best scene is when Hellboy and Abe get drunk and sing out raucously, which after "Hancock" suggests a trend toward superhero alcoholism.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.4 (out of 10) based on 123 User Votes
Note: User votes are NOT included in the Metascore calculation.

Nick K. gave it a2:
Painful viewing experience. The first movie wasn't very good but much easier to take than number II. The ending of the movie is thrown in your face about half way through and then when it actually happens you're still expected to be surprised by it. Hey, but the visual effects are great!

Jordan R. gave it a6:
Fairly well done, Del Toro's visual extravaganza goes slightly over board though. It feels like some points we are just watching the stuff Del Toro dreams about. The Humor is fairly dry but gets a chuckle.

Vezar gave it a10:
Tsk, tsk! You can't recognize greatness when is front you, because you are so closed minded, this is one of the best fantasy movies ever, and a true work of art.

Nick B gave it a10:
Most satisfying surrealistic action fantasy movie I've ever seen, and noticeably better than the first Hellboy. I may have watched Dark Knight and thought, "here is a film which transcends its genre", but with Hellboy 2 I saw a film that had mastered its own genre, and made it fun, as well.

Gabe N. gave it a2:
This movie is bad bordering on the incompetent. I was a fan of the first movie, even with all its flaws, and had high expectations for the sequel. The fear set in almost immediately with the scene between a young Hellboy and Professor Bruttenholm IJohn Hurt banking a paycheck). This was not Hellboy as a kid - this was Guillermo del Toro lazily and incomprehensibly grafting a pointless backstory onto the film. It was downhill from there. Hellboy has gone from a flawed hero to a mildly repulsive loser. Individual scenes fall apart with no sense of significance or consequence (e.g. killing the elemental is done purely to let loose the set designers even though emotionally it's completely disconnected from the narrative). And all the praise the art direction and creature design has received in completely undeserved. Taking a monster from the Star Wars cantina scene and putting a house on top of its head is not design, it's self-indulgence. Just like fight scenes, good monster design has to tell you something about the world, the characters, or the story, and not just be an excuse for more latex costumes composed of pieces selected by a random number generator. B--23! A monster with wings and bananas. C-17! A siamese twin with a mouth where its belly button goes. This was a badly written, ill conceived film that comes across as a director indulging his worst tendencies. It makes me worried for The Hobbit.

Tanya M gave it a0:
Holy crap. What a flaming bag of dog doo. I thought this was supposed to be even mildly good. It ain't. So boring (effects included). And the comedic moments were absolutely painful.

T K gave it a5:
Too Long - could have better shorter - script for Jeffrey Tambor was lame and poorly acted.

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