The indie rock band releases its latest album produced by Brian Beattie.

The Modesto, Calif. band has announced that it will break up after the release of this final 14-track album.

The Montreal, Canada-based quartet (basically, 2003's version of Interpol) follows its acclaimed, 80s-influenced EP "Rememberese" with this debut full-length. "Still In Love Song" is the only song from that EP to reappear here.

This right here is the American debut for the Canadian country-rapper (born Richard Terfry), who has actually been recording north of the border since the mid-1990s. Apparently he's worth $1.15 more than 50 Cent, although we're not sure if that's in Canadian dollars or not.

The indie rock band's third album was produced by Tim O'Heir.

The London four-piece try to capitalize on press generated by recent support slots for the Libertines with this debut disc, produced by Paul Epworth (Bloc Party).

The Los Angeles-based singer-songwriter's first outing in five years is a loose concept album set in the year 1947.

The days of hard-rocking Yo La Tengo appear to be over (at least on record), as the Hoboken, NJ trio continues along the atmospheric, lower-volume path begun on 'And Then Nothing Turned Itself Inside-Out.' Included among the 13 Roger Moutenot-produced tracks is a cover of Big Star's "Take Care" and the James McNew-sung "Tiny Birds."

The fourth album for the Portland, Oregon group is the first on the Sub Pop label.

'Heroes' marks the third album for the ever-strange UK outfit, who self-produced the disc and handed it off to Nigel Godrich (Radiohead) for mixing.

The second album for the British indie-rock quintet was produced by Markus Dravs.

Adams' 'Love Is Hell' 2-part album concludes with seven more tracks.

The Memphis-born singer-songwriter is backed by The Earlies on this debut disc.

This is the second album for the duo from Brooklyn.

The fourth album for the rock band was produced by Trina Shoemaker.

Brothers Ron and Russell Mael's first album in four years is their 20th LP overall.

While the trio of Roger Miller, Clint Conley and Peter Prescott typically wait a few decades between albums, this third LP follows just two years after their second.

Think Nancy Sinatra-Lee Hazlewood, and you won't be too far off the concept of this album-length pairing of former Belle & Sebastian vocalist Campbell and former Screaming Trees leader (and Queens Of The Stone Age collaborator) Lanegan.

The sophomore album for the English indie rock band was produced by Erol Alkan.

The two-song EP features the longest Destroyer song, 'Bay Of Pigs,' is 13-plus minutes.

This "lost album" from Modest Mouse was originally recorded in 1994 to be the band's debut album, but was eventually shelved. This release contains additional tracks recorded during the same time period as the original 'Sad Sappy Sucker.'

Self-produced album number five for Neil Halstead & co. is a more upbeat affair than the norm, with Victor Van Vugt (PJ Harvey) handling the mixing.

Rilo Kiley's Blake Sennett returns with a sophomore set for his side project, The Elected. Contributors include members of Eisley and Bright Eyes, as well as Rilo Kiley bandmate Jenny Lewis.

The third album for the UK band was produced by Flood and Paul Hartnoll.

Eight years ago, Wedding Present leader David Gedge put that band on hold to pursue--at first--a more cinematic sound with his new outfit, the aptly named Cinerama. With Cinerma's sound more closely approximating the Wedding Present's in recent years, Gedge has revived the WP name (but retained the most recent Cinerama lineup) for this latest release, produced by Steve Fisk.

Known for his appearance on Zero 7's album, he releases the follow-up to his debut.

The fifth full-length for the Seattle-based singer-songwriter returns with ten new mostly-acoustic tales about America's heartland, including live favorite "Texas to Ohio."

For you Nick Cave completists out there, this three-disc box set compiles 56 tracks spanning both decades of his work with the Bad Seeds, including some previously unreleased material.

Steve Albini returns as engineer for this fifth album from the Japanese post-rock outfit.

After taking 12 years off prior to 2000's 'The Friends of Rachel Worth,' the legendary Australian indie-pop band is suddenly undergoing a bout of creativity as evidenced by yet another release this very same decade.

This is the fourth solo disc for the illustrator and Sea And Cake guitarist.

The fourth album for the Atlanta, Georgia singer and guitarist was produced by Malcolm Burn.

On of the many aliases of rapper Daniel Dumile (who is best known these days as the masked MF Doom), Viktor Vaughn is joined by a guests such as DJ Sure Shot and Kool Keith on this second release.

This is the second album for the Australian band led by Luke Steele.

This double CD set contains unreleased and rare tracks from singer-songwriter Samuel Beam.

The fifth album for the Atlanta rock band is the follow-up to its 2007 album "Good Bad Not Evil."

The indie-rock trio 50 Foot Wave includes a pair of Throwing Muses (Kristin Hersh and Bernard Georges) plus Rob Ahlers. This full-length debut follows a self-titled EP released in 2004.

The 22-year-old Brooklyn-based singer-songwriter returns with 11 new tracks produced by Ethan Johns (Kings Of Leon).

Will Oldham's latest album under his Bonnie "Prince" Billy moniker features appearances by such guest as Wilco's Leroy Bach and Mekons' Jon Langford.

The debut solo release from the former leader of indie-rock legends Pavement.

The mysterious San Francisco-based artists--who have been at it now for over 30 years--return with a collection of vaguely animal-themed tracks.

This is the second album for the Philadelphia-based band.

'Professor' marks the second solo outing for the Sea And Cake leader. He's backed by the same group of musicians that performed on his previous 1999 release, including S&C bandmate Archer Prewitt and Josh Abrams (Town & Country).

The Louisville, KY retro-electronica outfit, who drew numerous Daft Punk comparisons with their 2002 EP 'Le Funk,' have transitioned into a dance-punk sound with this full-length debut.

The sountrack to Belle & Sebastian's Stuart Murdoch musical movie of the same name, which is scheduled to be filmed in 2010.

The latest album for the Seattle, Washington, artists.

The third album for the indie rock band from Canada.

This is the tenth album for the very large Nashville band led by Kurt Wagner.

This 22-song live recording (taped at a New York City show in June, 2005) finds Mark Oliver Everett backed by a variety of instrumentalists and, yes, a string quartet.

The fourth album for the Portland, Oregon-based artist features Tara Jane O’Neill, Lori Goldston, and The Decemberists' Chris Funk as guest musicians.

This eponymous disc is the debut for the Washington D.C. duo of Dischord Records/Fugazi head Ian MacKaye and drummer Amy Farina (The Warmers).

This 16-track disc (complete with a brief intermission between 'sets') marks the first studio recording in a whopping 22 years for the Boston-based trio of Roger Miller (guitar, vocals), Clint Conley (bass, vocals) and Peter Prescott (drums, vocals), with production by Bob Weston and Rick Harte and additional instrumentation on two tracks by the band Rachel's.

Championed (and signed) by the White Stripes' Jack White, this spare, Michigan-based keyboard-bass-drums trio has been labeled by Rolling Stone as this generation's Devo. White produced this debut LP, which was mixed by Mercury Rev's Dave Fridmann. And why the album title? According to the band's website, "We all love rabbits."

The London-based band follow their singles collection ('Suburban Light') with this, their first true studio LP, which continues their hazy, 60s-influenced sound developed in those earlier songs.

Sweden multi-instrumentalist Emil Svanangen (aka Loney, Dear) makes his American debut with this re-release of his fourth album.

This Welsh-language disc marks the solo debut for the Super Furry Animals frontman.

The latest release from GBV is a continuation of the band's new, more polished sound introduced on 1999's 'Do The Collapse.'

The Canadian illustrator and musician makes his Sub Pop debut with this self-recorded album.

The Austin, Texas group known more for its live performances releases its third album.

The duo of Sam Coomes and Janet Weiss (Sleater-Kinney) return with their fifth LP.

This third album from the Japanese instrumental post-rock outfit was recorded by Steve Albini.

The experimental Dallas, Texas outfit led by John Congleton returns with a spooky, noisy fourth album.

The Toronto, Canada-based quartet returns with a fourth LP of psychedelic post-rock instrumentals, divided, as the title suggests, into three movements.

The Liverpool quartet known for wearing surgical masks releases its fifth studio album.

The UK indie rock group's fifth album.

The Baltimore band returns with a quick follow-up to last year's self-titled debut.

This is the first album on the Dead Oceans imprint for the trio from Raleigh, North Carolina.

This fourth LP for the Los Angeles indie rockers were produced by Jim Fairchild (Grandaddy) and the band's own Aaron Espinoza. The album is dedicated to (and frequently about) the late Elliott Smith, who was Espinoza's neighbor.

The Norwegian group led by Lars Horntveth continues its jazz fusion of music styles on its latest album.

Signed to Animal Collective's Paw Tracks label, the artist releases his first full-length album.

Following her tenure as singer for roots-rockers Lone Justice, Maria McKee issued a series of three solo releases in the mid 1990s, and then remained relatively quiet for seven years until 'High Dive,' her self-released return.

This fourth album marks the Barsuk debut for the eclectic Portland, Ore. husband-and-wife duo of Kevin and Anita Robinson.

One of two simultaneous releases (Black Letter Days being the other), Devil's Workshop is perhaps the more straightforward of the pair, although like its companion it was recorded direct to 2-track, representing a back-to-basics approach for Black and Co.

The sixth studio LP for the distinctive English band is preceded by the EP "Don't Even Go There" (which shares one track with the album).

The Austin rock band releases a four-track EP ahead of its anticipated full-length in 2009.

The Australian band's second album was produced by Wayne Connolly (The Vines) and includes their cover of Alphaville's "Forever Young."

The francophone rock band from Montreal releases its third album.

Recorded in Seattle but remixed in Iceland by Jón Birgisson of Sigur Rós, A Chorus of Storytellers is the fifth album led by multi-instrumentalist Jimmy LaValle of the Album Leaf.

The English trip-hop outfit led by vocalist Louise Robinson (nee Rhodes) and producer Andy Barlow return for a fourth album.

Producer Dan "The Automator" Nakamura, a founder and member of acts such as the Gorillaz, Handsome Boy Modeling School, Deltron 3030 and Lovage, here offers his first mix album. Many of the cuts are from his own remixes or productions, and come from bands ranging from Tortoise to the X-ecutioners.

The trio from Ashby-de-la-Zouch, Leicestershire, England, releases its sophomore full-length album.

Crooked Fingers is a side project for Archers of Loaf frontman Eric Bachmann. This third album follows in the dark, drunken-blues/Americana tradition of the first two, which drew Bachmann comparisons to Tom Waits and Leonard Cohen, among others.

The debut full-length album for the South African indie rock band was recorded in three weeks.

This is the second collaboration with ex-Screaming Trees singer Mark Lanegan.